What permission is Sexton granting her lover and is she jealous at the end of the poem?

She is all there.


She was melted carefully down for you


and cast up from your childhood,


cast up from your one hundred favorite aggies.





She has always been there, my darling.


She is, in fact, exquisite.


Fireworks in the dull middle of February


and as real as a cast-iron pot.





Let's face it, I have been momentary.


A luxury. A bright red sloop in the harbor.


My hair rising like smoke from the car window.


Littleneck clams out of season.





She is more than that. She is your have to have,


has grown you your practical your tropical growth.


This is not an experiment. She is all harmony.


She sees to oars and oarlocks for the dinghy,





has placed wild flowers at the window at breakfast,


sat by the potter's wheel at midday,


set forth three children under the moon,


three cherubs drawn by Michelangelo,





done this with her legs spread out


in the terrible months in the chapel.


If you glance up, the children are there


like delicate balloons resting on the ceiling.





She has also carried each one down the hall


after supper, their heads privately bent,


two legs protesting, person to person,


her face flushed with a song and their little sleep.





I give you back your heart.


I give you permission—





for the fuse inside her, throbbing


angrily in the dirt, for the ***** in her


and the burying of her wound—


for the burying of her small red wound alive—





for the pale flickering flare under her ribs,


for the drunken sailor who waits in her left pulse,


for the mother's knee, for the stockings,


for the garter belt, for the call—





the curious call


when you will burrow in arms and breasts


and tug at the orange ribbon in her hair


and answer the call, the curious call.





She is so naked and singular.


She is the sum of yourself and your dream.


Climb her like a monument, step after step.


She is solid.





As for me, I am a watercolor.


I wash off.

What permission is Sexton granting her lover and is she jealous at the end of the poem?
It has been awhile since I've analyzed poetry, but initially, it seems as if Sexton's self is the "other woman" - her lover has decided to go back to his constant. The permission granted is her keeping a sense of control.





Of course, I could be totally wrong. That is my initial interpretation...





Nice choice, though.